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Ann has been in several bands including the sardonic folk trio Bleaker Street Incident and the heavy metal group Vulcan Death Grip. She was the lead singer and lyricist for the psycho-psychedelic band Bongwater with whom she released five albums. Her solo album The Luv Show was released on Geffen Records in 1995 and her new CD, Pretty Songs & Ugly Stories (produced and arranged by Kristian Hoffman), is currently being distributed by Asphodel Records. She is currently working on material for a new CD. Autographed CDs are available for purchase at {Store}
Ann is also featured on The Tindersticks album Curtains (singing with Stuart Staples in the duet Buried Bones), contributed vocals and spoken word to Fisherspooner’s new album, and has collaborated with artists as diverse as John Cale and Robbie D. She has also appeared as an actress in music videos most notably as Annie in the Redd Kross video Annie’s Gone and as the Goth chick tormenting Alice in Chain’s Jerry Cantrell in his video for My Song.
Pretty Songs & Ugly Stories 2007, Asphodel “Each song is a little gem, with the form embracing the content, like a Harry Winston setting embraces a three carat diamond. You must buy this record if you have any hope for the advancement of comic literacy.” "(It's) like a wonderful Dadaist trip through the cabarets of Weimar Berlin, a decadent 1930s burlesque club, 70s glam orgies, 80s downtown NYC, and the hyperreal Los Angeles of today. All at once." "Sequins on the outside, punk inside: Ann Magnuson wears irony well. She makes it sparkle and shimmer - seductively, seditiously." "Ann's as sharp as ever...the first lady of post-punk social commentary long before Miss Cho or Sarah Silverman came along" "Excellence Abounding. So instrumentally grandiose! Such exquisite melodic tension! You'd better be impressed, or I simply shan't speak to you any longer. NEW intelligent adult pop." "A wildly experimental mischief maker, (Magnuson's) schizophrenic career has explored the edges of both alternative performance art and mainstream media. (In one of her more infamous moves, she once staged a five-hour "Tribute to Muzak" in a Whitney Museum elevator.) Magnuson teams up with talented musical director Kristian Hoffman Pretty Songs & Ugly Stories. Billed as a "cabaret performance," Magnuson exercises her token razor-sharp wit in her ever-evolving one-woman show." Ann Magnuson has a way with words and she isn’t afraid to use them. She introduces Pretty Songs & Ugly Stories, her latest treatise on love and relationships in her usual pithy manner: “Pretty Songs & Ugly Stories is a joy ride, with a few hairpin turns, that aims to take everyone on a musical journey from Seduction to Infatuation to Disassociative Hallucination. Navigating the ecstatic High Highs and the traumatic Low Lows that the world dishes out leads us to self-medication, self-delusion, self-examination and self-revelation. Then, with luck, release from that pesky bondage of self." “I wanted this album to be very melodic which is why I wanted to work with Kristian,” Magnuson explains. “He wrote most of the music; a lush, Baroque pop sound that echoes the bands of the Sixties with a healthy dash of glam. His unique style helps to underscore the hallucinatory quality of the lyrics." On Pretty Songs & Ugly Stories Magnuson’s vocals are never less than compelling; her voice is rich with arch humor, able to dip into a simmering lower register or jump to a jubilant cry of girlish delight. The songs tumble out in a luxuriant cornucopia of pop styles. There’s the Queen meets Left Banke swoon of “Falling for an Actor”, the ethereal twangy guitar waltz of “I Met An Astronaut” and the disturbingly sinister psychedelia of “The Picture on My Dentist's Wall”. “Full of Fuck” is snarling and funky, with girl-group-on-belladonna harmonies. The breezy Burt Bacharach homage “Just A Guy” is complimented by the melancholy music-box lament “Whatever Happened to New York” with guest harmony vocals by Rufus Wainwright. “Old Enuf 2 B Yer Mom” is an ode to younger men and their ephemeral delights, delivered with a bouncy Motown backbeat, while “Sky’s a-Cryin’” is an old-fashioned torch song with a wailing musical saw adding to its otherworldly ambience. The set wraps up with the hidden track “What Is Pretty?” Accompanied by a harp playing an Eric Satie-like melody, this spoken word piece tackles the big questions – our society’s queasy ballet of sex and violence; beauty and its meaning in a culture obsessed with youth; spirituality and aging in a world that values neither. And as promised, Magnuson emerges from the other side of the looking glass with her soul and sense of humor intact. The music is complimented by the phantasmagoric artwork designed by Andrew Campbell and Doug Prinzivalli, with photography by Rocky Schenck. At the turn of the last century, when photography was young and spiritualism was on the rise, many people claimed to have photographed ectoplasm – the stuff of the soul - entering and/or leaving the human body. “I’ve been obsessed with pictures of ectoplasm since I was a kid,” Magnuson says. “The idea of free-floating ectoplasm connects well with the various ghosts and demons that haunt the protagonist who tells the ugly stories attached to these pretty melodies.” Catalog Number: ASP 2036 1. Falling For An Actor
The Luv Show 1995, Geffen Records 1. Dead Moth
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